Heading into my fourth consecutive summer tour opener, I feel like I've been to enough of these launchpad shows to learn what to expect: nothing, just enjoy the moment. As tours progress and the band gets tighter and more oiled simultaneously, the shows tend to get better; it's been almost seven months since the band walked off the stage in Miami after a successful run of shows. Since then, Trey famously performed as sideman for another band of lore, and Mike had a well-received tour with his revamped touring ensemble. In any case, there's a certain excitement in the air when these guys walk out on stage for the first time in a while. The fans of course add to that energy, but you can also see it on the faces of Mike, Page, Fish and Trey when they plug in and get set to hit that first note of summer. Enjoy the friends and fans who travelled from afar to see the boys from Vermont, and chances are, Phish will offer up a surprise or two that you hadn't anticipated.
Bend is a hip, smallish city located on the eastern slope of the Cascade Mountains in central Oregon. The cool/crunchy downtown reminds me of Burlington, VT in some ways, and there's tons to do in the area. The Les Schwab Amphitheater is small by Phish’s standards with a capacity of 8,000 and offers the appeal of both a picturesque Western setting and relatively intimate size.
7/21/15 Setlist • Live Phish Official Sounboard Download
Once inside the venue it was easy to get situated just about anywhere you wanted. Because of a local noise ordinance which takes effect at 10:00 PM, Phish took the stage far earlier than customary, at 6:24 PM. Since sunset in Bend occurred at 8:41, CK5 had a less noticeable role with the lights during the first set and into the early part of the second. But cleverly, he pointed his digital LEDs out at the audience during the daylight portion, which added some interesting color to the foreground. Crystal clear skies were on order, and a warm but not hot temperature of about 81F° prevailed as the band hit the stage.
Photo @brianfeller
The first set featured a healthy dose of funk-infused songs, including “Sand,” “555,” “Tube,” and “Wolfman's Brother.” “Sand” arriving in the number two slot after the crowd pleasing “Sample” opener took many by surprise, but the surprise was welcome, and the whole place was immediately bopping to the crescendo-oriented groove. Interspersed with the funkier songs were a variety songs from the Phish canon, including the debut of the Trey/Tom Marshall original, “Blaze On.” The crowd seemed to laugh a lot during the lyrical portion of the song, and at first, it seemed a bit sing-song-like. But once the jam portion began, this new number suggested some great potential for future improvisation. None of the songs from the first set had noteworthy jams. On the other hand, the band sounded well rehearsed, and the playing was spot on with the exception of “Horn” which seemed to give Trey some troubles. But he made up for it in spades, and he gets my vote for the MVP of Bend I. Clearly, his efforts with the Grateful Dead are paying dividends now with Phish. Following another crescendo-oriented jam in “Wolfman's,” the band departed for set break at 7:37.
Photo © Phish From the Road
When Phish retook the stage at 8:11, the sun was mostly down and the temperature had dropped to a comfortable 73F°. The second set would prove to be similar in many ways to the first. While there were no major jams of note, the playing was excellent, there was an abundance of funk, and the band debuted two more songs. “Fuego” seemed like it had the most potential to stretch out for a ride, but instead the band decided to transition to another new song, “Shade.” While this song seems to have a bit of a ballad quality that some fans viewed as an opportunity to hit the restrooms, I thought Trey's solo was excellent, and another example of the benefit of his work for the GD50 shows.
Photo © Phish From the Road
From there the band launched into another debut, “No Men In No Man's Land.” This song is great, perhaps the song highlight of the show, combining funk with a quick tempo and great syncopated play. It's a bit like “Tube,” but features more interplay between Trey and Page, and the dance-till-you-drop jam section lasted much longer than your garden variety “Tube.” Coupled with a solid “Weekapaug,” which was followed by Stevie Wonder's “Boogie On Reggae Woman,” as well as a benign “Ghost” at the beginning of the set, the funky theme was on display throughout the evening. A predictably rousing “Chalk Dust Torture” had the crowds pumping fists as the band left the stage for a brief encore break. Returning to the stage, the band closed the night with a strong “Theme,” and once again Trey's musicianship was excellent.
Photos © Phish From the Road
My takeaway from this show is twofold: First, Phish is absolutely not a nostalgia act, riding on a tsunami of songs written thirty or more years ago. Seven of the songs performed were either brand new, or are very recent. That they are continuing to write and play new music is a sign to me that these guys still mean business. And while the big improvisational jams were not a factor in tonight's show, at least a couple of the new songs seem to have great potential. The second is that this band is playing very well for the first show of the summer. With the exception of one hiccup in “Horn,” Trey sounded terrific all night, and both Mike and Page were their usual exemplary selves. The jams will come. But this was a great showing in terms of competent, cohesive playing. Meanwhile, a mix of funky dance-along songs and spirited peaking jams kept the crowd happy and engaged. And finally, for an east coaster seeing his first west coast show, Bend is a pretty damn sweet place to see a Phish concert in mid summer!
You can feel good about Mount Hood. Photo © Mike Gordon
Phish Summer 2015 – Setlists & Recaps
07/21/15 Setlist – Recap – Bend 1
07/22/15 Setlist – Recap – Bend 2
07/24/15 Setlist – Recap, Recap2 – Shoreline
07/25/15 Setlist – Recap – LA Forum
07/28/15 Setlist – Recap – Austin
07/29/15 Setlist – Recap – Grand Prarie
07/31/15 Setlist – Recap – Atlanta 1
08/01/15 Setlist – Recap – Atlanta 2
08/02/15 Setlist – Recap – Tuscaloosa
08/04/15 Setlist – Recap – Nashville
08/05/15 Setlist – Recap – Kansas City
08/07/15 Setlist – Recap – Blossom
08/08/15 Setlist – Recap – Alpine 1
08/09/15 Setlist – Recap – Apline 2
08/11/15 Setlist – Recap – Mann 1
08/12/15 Setlist – Recap – Mann 2
08/14/15 Setlist – Recap – Raleigh
08/15/15 Setlist – Recap – Merriweather 1
08/16/15 Setlist – Recap – Merriweather 2
08/21/15 Setlist – Recap – Magnaball 1
08/22/15 Setlist – Recap – Magnaball 2
08/23/15 Setlist – Recap – Magnaball 3
09/04/15 Setlist – Recap – Dick's 1
09/05/15 Setlist – Recap – Dick's 2
09/06/15 Setlist – Recap – Dick's 3
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The band will lock in. Last night seemed to have quite a few moments of the guys having ideas and not really syncing up or having the thoughts click among the four...we all know that won't last long.
Surprised at the new material. The band continues to do the unexpected.
IMO too much creative energy going into other projects.
Also, I only heard portions of the show but I didn't necessarily feel trey transfered much from GD50.
Would expect them to build on last night. Can't wait for Shoreline on Friday...will be my only show of the summer tour. Will they do a GD cover at Shoreline?
Beyond adding that pedal, I found his playing last night to have been a little tighter & more melodic than normal which I also feel is a direct result of his GD50 blood, sweat & tears.
Fingers crossed that the taboo of covering Dead songs will also have ended as a result of GD50. It seems silly to deprive fans the joy of hearing the current best band in the world cover the former best band in the world's songs. Those songs are some of the best ever written and what a better way to honor their legacy than to keep them alive!!!
@Sprachtor said:
Yeah, why DID Trey agree to lock himself in a room for all those weeks intensely practicing on guitar just so he could play five shows with a bunch of dudes in their 60s and 70s?
Those aren't bad shows, don't get me wrong, but they are really weak compared to later shows in the tour, which is unsurprising. The 3.0 penchant for nailing the opener really hasn't been true since '12.
Of course I was disappointed when everyone but Trey stopped playing after that 2.0 sounding darkness from Trey in the Ghost (that ripcord wasn't on him), and also the tail end of Feugo which they could've ridden for another 10 minutes at least. But this show just turned on a dime with a NEW SONG providing the energy needed to make the show memorable. When was the last time a new song turned around the vibe of an entire set? Ever? Everything after that was pure funktastic lasergold.
Usually I'm the guy arguing with the placid apologists talking about how the type i tightness made up for the lack of big jams, but this time I swear it's true. Trey had been toying with the Jerry fanning/scrubbing for the past couple of years on songs like Slave and Wedge, and the one 'nod to Jer' (cringe) is the full embrace of the 77 style fanning to a peak. Hell, even Sample had quite an ending because of this. It just gives the jam such incredible power and I wouldn't be surprised if songs like Sand and Wolfman's are given this treatment in the vein of Fire and Deal, respectively.
But enough Dead talk. Trey's playing was inventive and melodic at a consistently high level the whole show. Check out the Feugo solo or the waterfall descending/ascending trills of the Weekapaug or the double stop funk of the rhythm/solo on No Man's blending perfectly with Page's clav work. Shit, even Devotion to a Dream is worth paying attention to. There were no *unintentional* missed root notes in the soloing, the sustain was strong on the melodic landing pads that needed to be emphasized, there was way less middle of the road pentatonic stuff, and Trey nailed the rhythm while still playing 16th and 32nd notes (something that's been a struggle in 3.0). This isn't just tightness we're talking about here, as in not screwing up Rift too badly, but the subtlety and inventiveness that made a '94 or '95 first set something to pay attention to even in lieu of any Spilts or Antelopes or Rebas.
I think this was the strongest show for Trey, just in terms of soloing, since June of '04. If that's not enough to give it a few more listens, I don't know what would be. I suspect that the fanbase (myself included) has become way more jam addicted because, quite frankly, the regular ass playing on regular ass songs has been pretty weak for the most part over the stretch of entire shows in this era. The importance of the show from this perspective is being able to say something like, man did you catch that devotion to a dream? I damn sure didn't expect to ever type that.
I'm not huge on the Dead outside of their most cosmic moments, but I'm a fan of any new cover that would bring a venue a joy tsunami
Thanks for the compliment, "Bend is a pretty damn sweet place to see a Phish concert in mid summer!" We are very stoked Phish and all you fans have come to our town to help us party down! -W
The sloppiness and lack of attention to detail last year was far outweighing the joy of the ride in the long jams, to the point that there is hardly more than three shows from last year that I'm interested in listening to all the way through (okay, maybe only two).
I've been pining for a return to early nineties tightness without losing the ground they've gained in other areas, but this requires a committment to excellence and confidence in each other while on stage.
This show has me absolutely stoked. Beyond any reasonable hope, they may just give me what I've been looking for.
I think it's a bit knee-jerk to suggest that GD50 is responsible for Trey's sudden scholarly adherence to the fundamentals of his craft, but how can we not speculate?
I don't care if they cover and Dead tunes (though I'd love it), but I DO CARE A LOT that they adopt a more serious approach to great musicianship and set structure and flow.
Agree with all the above the new material bodes very well for this tour and testifies to where these guys are at...and they haven't even incorporated any of Mike's interesting new material yet.
Sand would probably be my favorite of the first set, maybe of the show. Agree with others that no jams really acquired liftoff but there were interesting components of the show nonetheless. Enjoyed 'Blaze', which along with NMINML I'm sure are destined to become crowd favorites and great jam platforms.
Page was HOT all night on the funky stuff - Tube, Wolfman's, Ghost, Mike's - although when is Page not hot...? His crunchy organs really sparkled at moments throughout the show.
Agree with the poster who compared Trey's jam in HMINML with the Jerry envelope filter to Barton Hall 77's Dancin'... exactly the vibe. Nice to hear this pedal has stayed in his pedal chain and really interested to hear where it will crop up in jams throughout this tour.
Yes, some sloppy moments throughout but overall I think the happy positive vibe overrides all that and portends a good run of summer shows to come.
I loved the Sand. I loved Wolfman's closing of first set. The new songs were great. I kept thinking that Blaze on was nice. I, too, giggled in my yard while the vocals came through. But the willingness to explore the boundaries of both Blaze On and No Men in No Man's Land was wonderful!
Bend is my springboard from my days of old to the Southeastern hot springs of Oregon. To hear Phish playing live in the Bend would have been a joyous way to go!
Everyone gets a good night sleep. Even couch tourers in the East!