Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
While the rain was torrential and definitely put a damper on things, there was something uniquely psychedelic about them playing in the pitch dark, pouring rain, in full view of the ocean. They seemed to really be carrying this theme through most of the songs - most obviously with SIHTOS, which I thought worked really well given the setting. Also Trey and the band are particularly adept at listening to the acoustics of a venue while playing - and I noticed this morning that this really doesn't come across in the SBD recordings (was hoping to find the show on eTree but I wouldn't be surprised if no one even could record last night given the weather). During the Ocelot solo for example, Trey sustains a note on the Languedoc, Mike continues to move harmonically, and the sustained sound of the band is textured and altered by sheets of rain and gusts of wind almost like a rotating Leslie speaker. It creates a very psychedelic experience, which I think is at the core of the appeal of Phish for me (they've mastered the rock concert experience imho).