Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
However your comment about the tendency to overrate jams of the late nineties just because they were long is right on. Many of those long jams were frankly not very interesting, especially when you get to 99-00, where you often have 7-10 minutes at a time of guitar loops and spacey effects before they do anything remotely musical.
The boys these days do a lot more in a lot less space, generally speaking.