Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
"maybe the message was there all along - that a) it doesn’t matter what Phish plays, it’s how they play it and b) my feelings of mild disappointment with certain song calls in certain positions in the setlist are only predicated on my own expectations and experiences, so why not evolve past them?"
I've been discussing exactly this to a T with my brother after shows...like after 20+ min versions of SYSF, Soul Planet, etc.