Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by nichobert
Just seemed like the theme of the 2nd (which includes the 3rd) set was to throw repeated curveballs.
If this set happened a year later, I think it would have been taken better. In 1996, people apparently weren't ready for a Phish willing to tinker with their catalouge, play weird jams out of NICU and leave all the big peaks on the table.
Is it the best played show ever? God no. But in retrospect, it's quite a bit more interesting than a typical summer 96 show where they just stuck to the script, tried not to mess up, and got off stage. I love that it's this weird slice of summer 97 transported back a year early.