Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by TheEmu
The recording cuts in at the end of Antelope, with Trey quoting "Fixing to Die." Cavern has an amusing moment when Trey forgets the lyrics and totally "mmmmm mmmmms" his way through the brothel wife verse. I actually think the Fishin' Hole tease from Page at the start of I Am Hydrogen is kinda cool, as it fits right in before Trey starts the melody. A somewhat messy Hydrogen is followed by a short but good Weekapaug, and unfortunately, that may be the highlight of the set. Mike's Song is a feedback wank, and while I was excited to hear My Sweet One, Paul & Silas, La Grange and Rocky Top with the fiddle, the results were surprisingly average. (I hate Paul & Silas without the harmony at the end, it feels unfinished and makes me sad.) It's nice that Fishman likes the Cars and Kuroda's nickname is "Big Hands" but it's not enough to pop this up to three stars, IMO, so I'm just going to stick with two.