Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by dscott
Set 1 is notable for inventive little twists that make Wolfman's, Jibboo, and BOAF worthy of repeat listening. These are highlights in a set where the band makes concise, strong statements with each song.
Set 2 is more of the same, albeit with some tastefully airy meanderings in Golden Age and Carini. Wading is notable for its understated, yet achingly poignant guitar solo. Slave is typically potent to close the set.
Encore is a winner! The fade-in drum intro to Weekapaug is absolutely electrifying, and Gordeaux puts some extra mustard into the bass jamlet. Character Zero is typically energized, and Trey enunciates the "ought to see" with atypical clarity during the chorus.
Soundcheck is a nice bonus. Thanks to whoever recorded it! Gotta love the way that Buffalo Bill leads to "buffalo wings" and then to "Jet" by Wings in a matter of seconds. Flight of ideas, so to speak, at its finest!