Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by mysticfox
After a hardy tour opener in Eugene, this show certainly didn't live up to the previous night. I felt there was a bit too much up and down in the song choices--too frequently I went from dancing my ass off to just kinda standing there not knowing what to do with myself as the band went into one of their more "ballad" down tempo songs. Well, at least for the first set.
I got my song chaser Gin tonight, and it was a solid version. Definitely not the best I've ever heard, but certainly a delight for what it was--and my lot card of the night.
That second set though. I think my highlight was Cities. It was certainly the song I rocked out to the hardest and to have that transition into 46 Days and then into Sand? Wow. Seriously, that Sand could have gone on for much longer and I would have been happy girl.
Still a solid show even though I felt that set one was a bit of a slow lift off. At least set two made up for it.
Most frustrating part of the night? Probably getting on the floor itself. Seriously the KeyArena needs to get its act together. First we were told to go to section 104 to get on the floor. OK, done. When we get there, we're told to go back to the top of the stairs to get a wristband. Alright. Seems reasonable. Until you witness the clusterfuck that was the wristband line. I don't know if I can even call it a line...it was just a huge cattle push of people...no one quite sure if we were in the right place because there was also a merch table and beer line in the mix. So you had to serpentine yourself to get to the first stop, which was a guy who would punch your ticket. Then you had to fight your way to get to the table for a wrist band. It was a mob, not actually a line, so it was pure chaos. Once you got that, great...now fight your way back out of the line so you can actually get to the floor. BUT WAIT...you still had to show your ticket and wristband! I get that this is a way to prevent people from swapping stubs...but honestly the system was still broken. I could have easily slipped my ticket to someone in the stands, who could have easily by-passed the guy punching tickets (since mine was steady punched) and just get a wrist band. Then show said ticket and wrist band to get on the floor. I'm sure it didn't prevent anyone from getting on the floor who shouldn't have been. Really the way to do it is punch the ticket and give a wristband when people were just entering the floor so that it was a single-file line, with one guy punching tickets in an orderly fashion....so that way as people queued up it would be obvious if the ticket was already punched.
But you know what...I guess I don't care. If KeyArena wants to have a messed up way to deal with floor tickets--fine. They shouldn't be fooling themselves that it's preevnting any ticket swaps. And moreover, it shouldn't be a goddamn hassle on my end. All the wristband employees were pissed at how they were getting treated, which I feel bad for, no one should be disrespected....but what the hell do you expect when you make the process goddamn difficult? People are going to be a little more rude when they process is unclear and unorganized and demand that you wristband people faster. Geez.
So if you do KeyArena again and you have floor, arrive early so you can avoid any shitstorm that you might need to deal with.