Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by argonbunnies
In Theme, just after starting the "from the bottom, from the top" vocal rounds, Phish begins playing a dark funky groove. It seems like this was planned; the whole band is right there, no one is still playing Theme, and the vocals are quickly abandoned.
So is it the dark funky groove from Echoes? Well, sort of. Floyd's version is much sparser. Fish and Mike embellish a lot more and give the whole thing a more bouncy, upbeat, danceable vibe. I'm listening and about to write the Echoes similarity off as superficial and coincidental... when Trey plays a few Gilmour guitar lines, note for note. Ah, okay, they ARE playing the second section from Echoes, just in a very filtered-through-Phish kind of way.
Apparently not recalling where the Echoes solo goes from there, Trey repeats the same phrases a few more times before the jam nicely segues into Steam.
So that's the scoop; seek it out or not as you see fit. Personally, I enjoyed it, but more as a brief moment of "well that's nifty" rather than any sort of epic event.