Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by Bob_Loblaw
The show kicks off with one of the best versions of My Soul I've ever heard. STFTFP has an explosive guitar solo. Wolfman has a fun little vocal jam mid song. Decent segue into Cities. Guyute has a very strong peak it feels inspired (as would be felt the rest of the set). Bowie is strong and very tease crazy. Antelope has a nice middle section, with some weird tense noodling.
Drowned and Sand kick off the second set straightforward. Axila is in a weird slot mid second set. SOAM is short and sweet (although it is not over). The Have Mercy sequence is bizarre, it has a nice little jam with some great pretty riffing by Trey towards the end. Piper has a nice little jam that kicks off pretty quick. The segue into Melt is trippy and cool. The set is capped by a very good Slave with some great patient playing on Treys part.
GTBT? Well it's a great way to end a show!
This show is in the upper tier for 3.0 however I would not award it 5 stars although it is close.