Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by PHATTSKIS
Mini tour, similar to Widespread Panic. He lot was sketchy, not because of the kids, but due to being dimly lit under the interstates so we didn’t spend much time outside. The show started off rocking. I didn’t know any of the tunes but got into the bounce and felt the groove quickly. I had a couple of bootlegs but they didn’t grab me the way being in the show did. A few songs in I heard Tweezer, whIch went into Foam. Foam has been since that night my favorite song. Coulda been the psyilliness involved, the strange vibe in the club or the cool art work I heard Mike and his mom made for the backdrop. Whatever it was it was cool. The second set was more rocking than the first until the soundboard shorted out. The band asked us to be quiet and started singing a capella, which I already knew they did but was Very Cool. They ended with Rocky Top, the Tennessee Anthem, and the crowd was satisfied even with the shortened show. I wasn’t hooked that night quite yet. It would be a couple of months later floating in my pool listening to The Wedge that I would actually get it but I did. 122 shows later, I have slowed down from 18-19 shows a year but still dig this band.