Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by TweezerWaves
This second set is perfect to me. It touches on a little bit of everything Phish does well. I like how the coil opener melts into DWD, and it’s on from there. The segue into Carini and the song portion of Carini is slow and pure evil. A couple notable moments of this set to me is the connection between Fish and Trey that you can hear at about 4 minutes into Carini and during the segue from Taste into DWD ending. In both instances, Trey starts to lead the band in a new direction by hitting a fast-paced riff in Carini and melding the Taste solo into DWD. Fish immediately picks up on this each time Trey initiates the change and alters his drumming to fit the guitar riff immediately. Mike and Page dominate during the song portion of Carini as both sound very trancelike and evil making me feel like I’m alone walking down a back alley with my friend who has a knife. The YEM tease in Carini shows just how on top of that jam Fishman was. Trey shines during Taste, and Prince Caspian serves as a Hood or Slave in this spot with a soaring, reflective, and feel good Trey solo that closes this set much better than I expected it to. 5 stars for the whole show.