Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by dr_strangelove
1) Wilson: Great build into the song proper, kind of like an eerie swamp monster slowly swimming into sight (different from the band/crowd call-and-response that is typical today). Rocking, high energy version (typical)
2) Antelope: You can feel the electric energy of the band as they groove the hell out of the beginning of this Antelope, loping cheerily through the tall grass. The raging part of the jam comes screaming out like a wildcat, with Trey's soloing absolutely destroying the stage. Must hear example of an early Phish jam reaching the pinnacles of legendary versions.
3) Back Porch Boogie Blues: A rollicking and enthusiastic take on this lovely instrumental. Everyone really is playing with such pizzazz, but I was really taken away by the heavy bass thumping from Mike near the beginning of the tune. Eventually, the band speeds up and rides this little doggie straight into the motherf***ing dirt! It's a slamming, stellar, gut punching version.
4) YEM: There were parts of this band that transported me backwards in time. Not to 1987, but literally like riding a temporal wave of psychedlic guitar and clavinet funk. Great energy.